Streichquartette I - Gewähltes Profil: Lautlos

by Ruedi Häusermann

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Compact Disc (CD) + Digital Album
Ruedi Häusermanns 1st release of stringquartets from his music theatre productions.

CD released by Ruedi Häusermann in Cooperation with Staatsoper Stuttgart.

Includes unlimited streaming of Streichquartette I - Gewähltes Profil: Lautlos via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Quartett Nr. 36Ä Käfer 01:23	buy track
2.	Quartett Nr. 24 Rev. 01:36	buy track
3.	Quartett Nr. 10 Vollmund 03:02	buy track
4.	Quartett Nr. 14 Tenerganz 02:40	buy track
5.	Quartett Nr. 23 Quasi stübelt nicht 02:27	buy track
6.	Quartett Nr. 6 Stiller Teilhaber 02:41	buy track
7.	Quartett Nr. 32 Org. Murmule 02:00	buy track
8.	Quartett Nr. 31 Schwank 03:08	buy track
9.	Quartett Nr. 22 Mück 03:16	buy track
10.	Quartett Nr. 36A Chilbi 01:22	buy track
11.	Quartett Nr. 19 Henosode 03:26	buy track
12.	Quartett Nr. 37 Sog. Nr. Siebenundr. 08:27	buy track
13.	Quartett Nr. 36D Quasi ländlich Sicht 02:33	buy track
14.	Quartett Nr. 21E Tschist I 00:49	buy track
15.	Quartett Nr. 38 Lied 04:19	buy track
16.	Quartett Nr. 31A Trauermarsch 04:30	buy track
17.	Quartett Nr. 36C Eintrat, der König 02:28	buy track
18.	Quartett Nr. 17 Binerganz 02:12	buy track
19.	Quartett Nr. 21AB Tschist II 02:20	buy track
20.	Quartett Nr. 9 Neeblin 03:19	buy track
21.	Quartett Nr. 33 Kl. Marschmusik 01:40	buy track
22.	Quartett Nr. 30 ff Lautlos 01:58	buy track
23.	Quartett Nr. 8 Delentorossi 11:48	buy track

about

Music from a play first produced in 2005
recorded at the Forum Neues Musiktheater, Römerkastell Stuttgart.
© GEMA
Staatsoper Stuttgart

credits

released May 6, 2006

Composed and supervised By – Ruedi Häusermann
Layout – Strichpunkt Stuttgart
Recording Supervisor – Roland Kistner and Dieter Fenchel
Edited and Mastered By – Sara Hubrich and Dieter Fenchel
Cello – Christoph Hampe
Viola – Benedikt Bindewald
Violin – Josa Gerhard
Violin – Sara Hubrich

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about

Ruedi Häusermann Lenzburg, Switzerland

The composer and director Ruedi Häusermann has developed his own language of music theatre, for which he has received several awards. In his performances, which are preceded by long phases of composition and exploration of themes, he examines the potentiality of theatre and music to mutually open up new areas. He focuses his attention on detail, thereby creating a poetic, ambiguous microcosm. ... more

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