1. |
Oergel
08:10
|
|||
2. |
Oergeltoen
03:53
|
|||
3. |
Nörgel
05:10
|
|||
4. |
Oergtime
03:18
|
|||
5. |
Oerhythm
05:46
|
|||
6. |
Enorm lustiges Stücklein
04:29
|
|||
7. |
- Snauf -
05:14
|
|||
8. |
Wohlpräpariert
06:27
|
Ruedi Häusermann Lenzburg, Switzerland
The composer and director Ruedi Häusermann has developed his own language of music theatre, for which he has received several awards. In his performances, which are preceded by long phases of composition and exploration of themes, he examines the potentiality of theatre and music to mutually open up new areas. He focuses his attention on detail, thereby creating a poetic, ambiguous microcosm. ... more
If you like Ruedi Häusermann, you may also like:
Telepathic Music Vol. 1
by The Evolution of the Arm
True to their “Twin Peaks”-inspired name, Evolution of the Arm make avant-garde music that’s irresistibly creepy.
go to album
A theatrical change of pace for the Australian double bassist, vocalist, and composer; neoclassical splendor with a cathartic undertow.
go to album
dormant, I lay.
by Helen Svoboda
Double bassist Helen Svoboda draws connections between contemporary classical and improvised jazz across a new LP, recorded during lockdown.
go to album
Experimental duo Meatshell explore the possibilities of the human voice, pairing it with wild, corkscrewing horn lines.
go to album
Spektralkompass - Sterbendes Hertz
by Håkon Thelin
Composer and bass player Håkon Thelin aims to cut to the essence of the double bass by focusing on technique with these contemporary pieces.
go to album
ELEGI
by SVIN & Århus Sinfonietta
The Danish avant-garde rock trio join forces with a classical music ensemble for this harrowing LP, a dronescape inspired by grief.
go to album
C. Diab describes “Exit Rumination” as “a sonic exorcism,” and its dark, swelling songs are equal parts catharsis and tension.
go to album
